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Madness and Surrealism in Iranian Film Art Activism


The “Escape” in and of Greek Weird Wave Films – Reflections on National Ethos and Stable “European” Aesthetics


A Study of “The House is Black” (1963) in Its Lyricism and Contradictions


Use of “Empty Space” in “Interruption” (2015) and “Eighth Continent” (2017)


Patriarchal Surveillance of Emotions Under Crisis in “Miss Violence”(2013)